The German-Scandinavian Youth Philharmonic
The German-Scandinavian Youth Philharmonic (Deutsch-Skandinavische Jugend- Philharmonie) is an international youth orchestra with a symphonic instrumentation, carrying out its work phases in the form of orchestra courses. The regular event of the "German-Scandinavian Philharmonic Weeks" (Deutsch-Skandinavische Orchesterwochen) hearken back to the initiative of the conductor and composer Andreas Peer Kähler , who has permanently been the orchestra's conductor and art director since the first work phase in the end of 1981 – beginning of 1982.
During these orchestra courses, the German-Scandinavian Youth Philharmonic offers to the participating young musicians the possibility to work on a demanding concert programme with the support of an experienced team of tutors and, thus, to gain practical orchestra and concert experiences. The group of participants in the Philharmonic Weeks consists of about ninety young musicians, mainly students from European conservatoires, but there are also young professionals and school students with the professional goal of orchestra musician.
In its concert programmes, the German-Scandinavian Youth Philharmonic addresses selected subjects from the Nordic cultural area and tries to contribute to an improved knowledge of Nordic orchestra music in Germany. The concerts with explanations and background information by the conductor providing portraits of the composers, their works and topical references are of high significance in this context. In recent years the German-Scandinavian Youth Philharmonic regularly commissioned compositions covering the subjects of the respective philharmonic week. Traditionally, the final concert terminating each work phase takes place at the Berliner Philharmonie, and since 2006 the programme has also included a guest concert at the Lübeck music and concert hall (Lübecker Musik- und Kongresshalle).
The German-Scandinavian Youth Philharmonic is a corporate member of Jeunesses Musicales Germany and has been recognised as a registered non-profit association since 1988. Patrons of its Orchestra Weeks are the Governing Mayor of Berlin and the Embassadors of the Nordic Countries in Germany – taking annual turns according to the respective focus of the programme.

Andreas Peer Kähler
studied conducting and composition at the Berlin University of Arts (UdK Berlin) and as a DAAD scholarship holder in Sweden and Finland with Jorma Panula and Eric Ericsson. His encounter with Sergiu Celibidache whose courses on conducting and lectures on musical phenomenology he attended greatly influenced his artistic career. Since his time as a student, Andreas Peer Kähler has been pursuing extensive self-employed activities as a conductor, composer, concert presenter and music teacher.
In 1980 he founded the "Deutsch-Skandinavische Jugend-Philharmonie", whose artistic director he has been to this day and in whose concerts he introduced a great number of major works of the Nordic orchestra repertoire, numerous world and German premieres among them. Most notably, he developed a considerable repertoire in the area of concerts for children, juveniles and families together with the "Kammerorchester Unter den Linden" (Unter den Linden Chamber Orchestra) which was founded in 1990 and he created two series of family concerts, i.e. "Tiere, Tango und Trompeten" (animals, Tango and trumpets, performed in the Chamber Music Hall at the Berliner Philharmonie) and "Familienkonzerte in Dahlem" (family concerts in Berlin-Dahlem). Guest performances took him to Sweden, Finland, Norway, France, Poland, Lithuania, Switzerland and Iceland, Mexico and Australia. Another focus of his work is the music by Arvo Pärt, with whom he has been connected throughout many years of cooperation and friendship.
In the field of teaching music, Andreas Peer Kähler works for Deutsche Oper Berlin as a freelancer in connection with the "Klassik is´ cool!" (classical music is cool) youth programme and as a narrator and actor in numerous children’s programmes created by him. The extremely popular concerts with explanations and background information by the conductor have also been created and presented by him.
In 2007, his "Cool School Symphony" was awarded a prize for the best joint project between a school and an orchestra in the competition "Kinder zum Olymp!" (children to Olympus).
Bigband
For 2003, the conductor Andreas Peer Kähler planned a concert to present the music of all composers who had worked on the subject of Peer Gynt. In this context, he wanted to take up the Peer Gynt Suite by Duke Ellington. Achim Rothe composed the relevant arrangements in the style of Duke Ellington for a big band made up of musicians from the German-Scandinavian Youth Philharmonic.
Since there are big differences in the way of playing jazz or classical music, the realisation of this completely different and much more percussive sound of jazz in a relatively short practice period was a great challenge for these musicians having been trained in classical music. Finally, the Peer Gynt project was so successful that it was decided to establish the big band under the direction of Achim Rothe as an inherent part of the German-Scandinavian Youth Philharmonic. In this project, his special interest is focussed on the conversion and reinterpretation of classical works into the style of jazz.
Achim Rothe
At the age of eight Achim Rothe began to play the trumpet and at the age of 16 he started to compose and arrange music. In 1984 he was invited to the Jugend Jazzorchester Baden-Württemberg, with whom he played and composed until 1990. Achim Rothe was awarded several first prizes in the competition Jugend Jazzt Baden-Württemberg..
In 1992 Achim Rothe started to study music at the Musikhochschule Stuttgart (Stuttgart Conservatoire). A scholarship took him to the renowned Berkeley College of Music Boston (USA) where he studied trumpet as well as jazz and film composition. Prior to the completion of his studies he was awarded the John Dankworth Award for extraordinary performance in the field of jazz composition and received the Clark Terry Award as an outstanding trumpeter. Another award followed when he received the Most Active Performer Award.
After having returned to Germany, Achim Rothe managed to establish himself there as a musician, arranger, conductor, composer and workshop leader. Numerous performances took him to Europe, Asia and America. Besides radio and tv recordings, Achim Rothe recorded more than twenty records/albums.
After two years of cooperation with Cirque du Soleil and Pomp, Duck & Circumstance he spends an increased amount of time with big ensembles and directs the Berlin Bigband, the Compass-Bigband and the Crocodile Princess Jazz Orchestra.
At present, Achim Rothe directs the big band of the German-Scandinavian Youth Philharmonic and works with Andrej Hermlin’s Swing Dance Orchestra as a soloist and arranger and also as a lecturer for the Jugend Jazzorchesters Baden-Württemberg (Baden-Württemberg Youth Jazz Orchestra).
Bisherige Konzertprogramme: 1982 bis 1989
| 1. Orchesterwoche Januar 1982 | |
|---|---|
| Franz Schubert | Sinfonie Nr. 7 h-Moll D759 Die Unvollendete |
| Jean Sibelius | Sinfonie Nr. 2 D-Dur op. 43 – Finale |
| Richard Strauss | Bläserserenade Es-Dur op. 7 |
| Laci Boldemann | Trompetenkonzert – Finale |
| Trompete – Torbjörn Hultmark (Göteborg) | |
| Hugo Alfvén | Midsommarvaka op. 19 |
| 2. Orchesterwoche Januar 1983 | |
| Carl Nielsen | Helios-Ouvertüre |
| Wolfgang Amadeus Mozart | Sinfonie Nr. 38 D-Dur KV 504 Prager |
| Jean Sibelius | Pohjolas Tochter – Sinfonische Fantasie für großes Orchester op. 49 |
| Torbjörn Hultmark | Konzertmusik (Uraufführung) |
| Johan Halvorsen | Norwegische Rhapsodie Nr. 2 |
| 3. Orchesterwoche Januar 1984 | |
| Johann Sebastian Bach | Orchestersuite Nr. 3 D-Dur BWV 1068 |
| Allan Pettersson | Sinfonie Nr. 8 – 1. Satz (Deutsche Erstaufführung) |
| Wilhelm Stenhammar | Sinfonie Nr. 2 g-Moll op. 34 (Deutsche Erstaufführung) |
| 4. Orchesterwoche Januar 1985 | |
| Wolfgang Amadeus Mozart | Ouvertüre zu Don Giovanni |
| Sergej Prokofieff | Leutnant-Kijé-Suite |
| Allan Pettersson | Sinfonie Nr. 7 |
| 5. Orchesterwoche Januar 1986 | |
| Benjamin Britten | The Young Person’s Guide To The Orchestra op. 34 |
| Edvard Grieg | Klavierkonzert a-Moll op. 16 |
| Klavier – Haldor Maeland (Oslo) | |
| Allan Pettersson | Sinfonie Nr. 5 (Deutsche Erstaufführung) |
| 6. Orchesterwoche Januar 1987 | |
| Erik Norby | Die Regenbogenschlange (Deutsche Erstaufführung) |
| Leos Janácek | Sinfonietta |
| César Franck | Symphonie d-Moll |
| 7. Orchesterwoche Januar 1988 | |
| Jean Sibelius | Vorspiel zu Der Sturm op. 109 (Deutsche Erstaufführung) |
| Tapiola op. 112 | |
| Gustav Mahler | Sinfonie Nr. 1 D-Dur Titan |
| 8. Orchesterwoche Januar 1989 | |
| Arvo Pärt | Arbos |
| Laci Boldemann | Lieder der Vergänglichkeit |
| Bariton – Hans-Georg Wimmer | |
| Gustav Mahler | Sinfonie Nr. 5 cis-Moll |
Bisherige Konzertprogramme: 1990 bis 1999
| 9. Orchesterwoche Januar 1990 | |
|---|---|
| Richard Wagner | Vorspiel zu Die Meistersinger von Nürnberg |
| Dmitri Schostakowitsch | Konzert für Violine und Orchester Nr. 2 op. 129 |
| Violine – Semmy Stahlhammer (Stockholm) | |
| Carl Nielsen | Sinfonie Nr. 4 op. 29 Das Unauslöschliche |
| 10. Orchesterwoche Ostern 1990 | |
| Boris Blacher | Concertante Musik (1937) |
| Wolfgang Amadeus Mozart | Klavierkonzert Nr. 25 C-Dur KV 503 |
| Klavier – Babette Hierholzer | |
| Jean Sibelius | Sinfonie Nr. 2 D-Dur op. 43 |
| 11. Orchesterwoche Januar 1991 | |
| Ragnar Söderlind | Amor et Labor – Poema sinfonica op. 27 (Deutsche Erstaufführung) |
| Wolfgang Amadeus Mozart | Violinkonzert Nr. 5 A-Dur KV 219 |
| Violine – Semmy Stahlhammer (Stockholm) | |
| Béla Bartók | Konzert für Orchester |
| 12. Orchesterwoche Januar 1992 | |
| Johan Halvorsen | Suite Ancienne op. 31 |
| Johann Christian Bach | Konzert für Viola und Orchester c-Moll |
| Viola – Håkan Olsson (Stockholm) | |
| Maurice Ravel | Klavierkonzert G-Dur |
| Klavier – Ralf-Thorsten Zichner | |
| Igor Strawinsky | Pulcinella-Suite |
| 13. Orchesterwoche (A) Sommer 1992 (Järna/Schweden) | |
| Ludwig van Beethoven | Violinkonzert D-Dur op. 61 |
| Violine – Mats Zetterquist (Stockholm) | |
| Allan Pettersson | Sinfonie Nr. 7 |
| 13. Orchesterwoche (B) Sommer 1992 (Järna/Schweden) | |
| Arvo Pärt | Pro Et Contra Konzert für Violoncello und Orchester |
| Violoncello – Martin Seemann | |
| Silouans Song | |
| Summa (Uraufführung) | |
| (Instrumentation: Andreas Peer Kähler) | |
| Sinfonie Nr. 3 (1971) | |
| 14. Orchesterwoche Januar 1993 | |
| Edvard Grieg | Vorspiel zu Peer Gynt |
| Geirr Tveitt | Konzert für Hardangergeige und Orchester (Deutsche Erstaufführung) |
| Hardangergeige – Nils Økland (Voss/Norwegen) | |
| Johannes Brahms | Klavierquartett g-Moll op. 25 |
| Bearbeitung für Orchester von Arnold Schönberg | |
| 15. Orchesterwoche Ostern 1993 | |
| Arvo Pärt | Fratres |
| Allan Pettersson | 6 Barfußlieder (Uraufführung) |
| (Instrumentation: Andreas Peer Kähler) | |
| Richard Wagner | Wesendonck-Lieder |
| Sopran – Mari Anne Häggander | |
| Siegfried-Idyll | |
| 16. Orchesterwoche (A) Sommer 1993 (Järna/Schweden) | |
| Luigi Boccherini | Konzert für Violoncello und Orchester B-Dur |
| Violoncello – Martin Seemann | |
| Anton Bruckner | Sinfonie Nr. 4 Es-Dur Die Romantische |
| 16. Orchesterwoche (B) Sommer 1993 (Järna/Schweden) | |
| Aaron Copland | Fanfare For The Common Man (1942) |
| Jean Sibelius | 4 Humoresken für Violine und Orchester |
| Violine – Ragnar Heyerdahl (Oslo) | |
| Sinfonie Nr. 3 C-Dur op. 52 | |
| 17. Orchesterwoche Januar 1994 | |
| Felix Mendelssohn-Bartholdy | Ouvertüre zu Die Hebriden |
| Dmitri Schostakowitsch | Konzert für Violoncello und Orchester Nr. 1 op. 107 |
| Violoncello – Ludwig Quandt (Berlin) | |
| Carl Nielsen | Sinfonie Nr. 1 g-Moll op. 7 |
| 18. Orchesterwoche Januar 1995 | |
| Jean Sibelius | Sinfonie Nr. 6 d-Moll op. 104 |
| Nino Rota | Divertimento concertante für Kontrabass und Orchester |
| Kontrabass – Janne Saksala (Berlin) | |
| Wilhelm Stenhammar | Serenade für großes Orchester F-Dur op. 31 (Deutsche Erstaufführung) |
| 19. Orchesterwoche Januar 1996 | |
| Charles Ives | The Unanswered Question |
| Viktor Ullmann/Henning Brauel | Die Weise von Liebe und Tod des Cornet Christoph Rilke (1944) für Sprecher und Orchester |
| Sprecher – Gert Westphal | |
| Edvard Grieg | Sinfonie c-Moll |
| 20. Orchesterwoche Januar 1997 | |
| Jón Leifs | Elegie (Deutsche Erstaufführung) |
| Hekla (Deutsche Erstaufführung) | |
| Gustav Mahler | Sinfonie Nr. 4 G-Dur |
| Sopran – Stephanie Petit-Laurent | |
| 21. Orchesterwoche Januar 1998 | |
| Andreas Peer Kähler | Poème Symphonique (Deutsche Erstaufführung) |
| Franz Schubert | Sinfonie Nr. 7 h-Moll D759 Die Unvollendete |
| Joonas Kokkonen | Konzert für Violoncello und Orchester (1969) |
| Violoncello – Ludwig Quandt (Berlin) | |
| Jean Sibelius | Lemminkäinen zieht heimwärts |
| 22. Orchesterwoche Januar 1999 Thema: SAGA | |
| Carl Nielsen | Saga-Drøm |
| Jean Sibelius | Violinkonzert d-Moll op. 47 |
| Violine – Kolja Blacher | |
| Jón Leifs | Saga-Sinfonie op. 26 (Deutsche Erstaufführung) |
Bisherige Konzertprogramme: 2000 bis 2009
| 23. Orchesterwoche Januar 2000 | |
|---|---|
| Uuno Klami | All’Ouvertura op.43 (Deutsche Erstaufführung) |
| Richard Strauss | Oboenkonzert D-Dur |
| Oboe – Albrecht Mayer (Berlin) | |
| Allan Pettersson | Sinfonie Nr. 7 |
| 24. Orchesterwoche Januar 2001 | |
| Wilhelm Stenhammar | Excelsior! |
| Ragnar Heyerdahl | Skandinavia Rusticana |
| Andreas Peer Kähler | Rhapsodie für Violine Gitarre Kontrabass und Orchester (Uraufführung) |
| Solisten: Sturm und Drang (Oslo) | |
| Ludwig van Beethoven | Sinfonie Nr. 3 Es-Dur op. 55 Eroica |
| 25. Orchesterwoche Januar 2002 Thema: DÄNEMARK | |
| Per Nørgård | Twilight für Tänzerin Conga und großes Orchester (Deutsche Erstaufführung) |
| Tänzerin – Marie Lalander (Kopenhagen) | |
| Conga – Nicolai Slaatto (Kopenhagen) | |
| Robert Schumann | Konzertstück F-Dur op. 86 für vier Hörner und Orchester |
| Horn – Einar Öhman Johan Lindstrand Thomas Lindgren Richard Johansson | |
| Carl Nielsen | Sinfonie Nr. 5 op. 50 |
| 26. Orchesterwoche März 2002 Thema: ISLAND | |
| Jón Leifs | Ouvertüre zu Galdra Loftur (Deutsche Erstaufführung) |
| Thorkell Sigurbjörnsson | Gletscherlied (Deutsche Erstaufführung) |
| Atli Heimir Sveinsson | Icerapp (Deutsche Erstaufführung) |
| Richard Strauss | Don Juan op. 20 |
| Gustav Mahler | 5 Lieder aus Des Knaben Wunderhorn |
| Mezzosopran – Laure de Marcellus | |
| Bariton – Markus Brück | |
| 26. Orchesterwoche April 2002 (Greifswald) | |
| Jean Sibelius | Karelia-Suite op. 11 |
| Bernhard Henrik Crusell | Introduktion und Variationen über ein schwedisches Lied für Klarinette und Orchester |
| Klarinette – Annette Fischer | |
| Niels Wilhelm Gade | Sinfonie Nr. 1 c-Moll op. 5 |
| 27. Orchesterwoche Januar2003 Thema: INGMAR BERGMAN ZUM 85. GEBURTSTAG | |
| Wolfgang Amadeus Mozart | Ouvertüre zu Die Zauberflöte |
| Håkan Larsson | Angesicht in Angesicht (Uraufführung) |
| Concerto Grosso für 2 Violinen und Orchester | |
| Violine – Cecilia und Martin Gelland | |
| Jean Sibelius | Sinfonie Nr. 7 C-Dur op. 105 |
| Richard Wagner | Vorspiel und Isoldes Liebestod aus Tristan und Isolde |
| Sopran – Ulla Gustafsson | |
| 28. Orchesterwoche Januar 2004 Thema: PEER GYNT | |
| Peer Gynt für Orchester Solisten und einen Sprecher | eingerichtet von A.P. Kähler |
| Mit Kompositionen und Bearbeitungen von Edvard Grieg, Alfred Schnittke, Harald Sæverud, Achim Rothe (nach Duke Ellington) | |
| Solisten: Daniel Morgenroth (Sprecher) Anna-Clara Carlstedt (Sopran) Sturm und Drang (Norwegen) | |
| 29. Orchesterwoche Januar 2005 Thema: BALTIKUM/BILD UND MUSIK | |
| Mikalojus Konstantinas Ciurlionis | Miske (Im Walde) Symphonische Dichtung |
| Eduard Tubin | Konzert für Kontrabass und Orchester |
| Kontrabass – Janne Saksala (Berlin) | |
| Santa Ratniece | Glittering Promenade (Uraufführung) |
| Modest Mussorgskij | Bilder einer Ausstellung (Fassung für Orchester von Maurice Ravel) |
| 30. Orchesterwoche Januar 2006 | |
| Andreas Peer Kähler | Andersen-Metamorphosen für Sopran Violine 13 Bläser Schlagzeug Harfe und einen Pantomimen |
| Sopran – Anna-Clara Carlstedt | |
| Violine – Martin Gelland | |
| Pantomime – Ronny Korneli | |
| Allan Pettersson | Sinfonie Nr. 11 (1973) |
| Anton Bruckner | Sinfonie Nr. 4 Es-Dur Die Romantische |
| 31. Orchesterwoche Januar 2007 Thema: JEAN SIBELIUS ZUM 50. TODESTAG | |
| Jean Sibelius | Finlandia Sinfonische Dichtung für Orchester op.26 |
| Der Schwan von Tuonela | |
| Englischhorn – Saara Kemppi (Helsinki) | |
| Lemminkäinen zieht heimwärts arr für Bigband von Achim Rothe | |
| Dmitri Schostakowitsch | Sinfonie Nr. 5 d-Moll op. 47 |
| 32. Orchesterwoche Januar 2008 Thema: GRIEG UND DIE FOLGEN | |
| Geirr Tveitt | Seid herzlich willkommen! aus Hundert Volksmelodien aus Hardanger Suite Nr. 1 |
| Ragnar Heyerdahl / Andreas Peer Kähler | Scandinavia Rusticana Solisten: Sturm und Drang (Oslo) |
| Edvard Grieg/Achim Rothe | Peer-Gynt-Suite Nr. 3 für Bigband (Uraufführung) |
| Maurice Ravel | Le Tombeau de Couperin |
| Bolero | |
| 33. Orchesterwoche Januar 2009 Thema: MUSIC OF DENMARK | |
| Niels Wilhelm Gade | Konzertouvertüre Nachklänge an Ossian |
| Andreas Peer Kähler / Achim Rothe | Konzertfantasie Nachklänge an Niels Wilhelm Gade |
| Knudåge Riisager | Qarrtsiluni - Sinfonische Dichtung |
| Igor Strawinsky | Le Sacre du Printemps |
Bisherige Konzertprogramme: 2012 bis 2010
| 34. Orchesterwoche Januar 2010 Thema: Strauss - Sibelius und Arvo Pärt zum 75. Geburtstag | |
|---|---|
| Arvo Pärt | Arbos - für Bläserensemble |
| Arvo Pärt | Trisagion - für Streichorchester |
| Jean Sibelius | Pohjolas Tochter - Sinfonische Dichtung op 49 |
| Achim Rothe | Also blues Zarathustra - für Bigband, Auftragswerk/Uraufführung |
| Richard Strauss | Also sprach Zarathustra - Sinfonische Dichtung op 30 |
| 35. Orchesterwoche Januar 2010 Thema: Johan Svendsen und die Geschichte von Romeo und Julia | |
| Johan Svendsen | Sinfonie Nr. 1 D-Dur op.4 |
| Johan Svendsen | "Romeo und Julia" op 18 - Fantasie für Orchester |
| Fritz Kreisler/Achim Rothe | "Liebesleid" arr. für Bigband - Auftragswerk/Uraufführung |
| Felix Mendelssohn-Bartholdy/Achim Rothe | "Hochzeitsmarsch" arr. für Bigband - Auftragswerk/Uraufführung |
| Sergej Prokofjew | Aus der Ballettmusik zu "Romeo und Julia" - Suiten Nr. 1-2 op. 64bis und op.64ter |
| Leonhard Bernstein | Overtüre zu "Candide" |
| 36. Orchesterwoche Januar 2011 Thema: Allan Pettersson und Richard Strauss | |
| Allan Pettersson | 6 Barfußlieder |
| Allan Pettersson | Sinfonie Nr. 8 erster Satz |
| Richard Strauss | Hornkonzert Nr. 1 ES-Dur op. 11 |
| Richard Strauss | "Till Eulenspiegels lustige Streiche" |
| Leonhard Bernstein | Overtüre zu "Candide" |